ASAHI HAIKUIST NETWORK/ David McMurray

May 03, 2012

Mosquitoes’ whine

scares the darkness:

the art of hiding behind oneself

--Barry Weiler (Canada)

* * *

Pioneer hut

the tourist season

just beginning

--Jan Dobb (Australia)

* * *

Watching first sunrise

on Borobudur Temple--

such golden (de)light

--T.D. Ginting (Indonesia)

* * *

The black wooden shed

at the bottom of our garden

Dad’s alone

--Helen Buckingham (UK)

* * *

Orange sky

time left on its pink petals

backyard cherry tree

--Vo Tuan Hoang Vy (Vietnam)

* * *

The cottage life—

peace is something

I feel in spring

--Ernesto P. Santiago (Philippines)

* * *

Log cabin

the fragrance of pine

and its warmth

--Teichi Suzuki (Osaka)

* * *

With the moon

petals of cherry floating

in the pool

--Ikuyo Yoshimura (Gifu Prefecture)

* * *

Sakura bloom

unrequited love

woman’s eyes

--Lili Racheva (Bulgaria)

* * *

Blossom carpet

the beauty of her round behind

as she rises

--Heike Gewi (Yemen)

------------------------------

FROM THE NOTEBOOK

------------------------------

Deserted cottage

Pine needles in the pan

for lunch

--Zoran Doderovic (Serbia)

Taking a break while mountain hiking, the haikuist thinks about what he might eat. The noise of Hidehito Yasui’s pleasure craft scares fish in the Seto Inland Sea. Out for a walk in Waterloo, Ontario, Barry Weiler is lured by the beauty of the moon. His cabin in Niigata having been closed all winter long, Yutaka Kitajima opens its windows with a flourish.

Poor catch

too many cooking utensils

pleasure-boat cabin

* * *

Moonlight

drops its yellow nets:

the want of fish to be caught

* * *

Spring sunlight

flooding the cottage

clapboards removed

Ramesh Anand savors a hot meal in rural India. Even at night, Vo Tuan Hoang Vy cannot escape the heat and humidity of his home in Vietnam.

From a distance

the smell of boiling rice

thatched hut

* * *

Hot night

even moonlight

cottage burning

Valeria Barouch spends the night in a Swiss cabin. An unexpected visitor greets Vania Stefanova in Bulgaria. Michael Corr didn’t look back. Fusayo Kawano ponders the riddle: If a tree falls in the forest and no one is around to hear it, does it make a sound?

Through black ink branches

the narrow trail disappears

the cabin smoke

* * *

This small turtle

upon debris from the hut

still morning

* * *

Trust again

leaving beach cabin

unlocked

* * *

Hut in a field

door slamming in wind

but who cares?

Romano Zeraschi reads alone in Italy. Ecaterina Neagoe sits with a friend in Romania.

Spring wind

browsing a forgotten book . ..

alone on a bench

* * *

Only two of us--

the wind undulating

cherry blossoms

Rahadian Tanjung draws a line in the sand at an Indonesian beach. Zeraschi piles his words one atop the other. Pravat Kumar Padhy floats cherry petals down a stream in India. Shizuka Suzuki veers around a curve in Tokyo. In Kyoto, Murasaki Sagano is drawn toward her mother.

Drawing a line

on the sandy shore

burning sun

* * *

My

hut . ..

a

candle in the dark

cricket

song

* * *

Spring rain--

cherry blossoms on

meandering flow

* * *

On the curve

kerrias bloom

here and there

* * *

Gravitate

towards mother’s soul

May birthday

Teichi Suzuki finds a pressed blossom between the leaves of a book. Yuji Hayashi would love to lie down in a bed of pink cherry petals. Stella Pierides chides a poet for concentrating on form more than feeling. His colleague deprecates herself but praises Satoru Kanematsu.

Cherry petals

folded in the story of

an old book

* * *

A poet’s dream:

to lie under cherry trees

in full bloom

* * *

Instead of

cherry-blossom-viewing

she counts syllables

* * *

Black pansies

the old haikuist calls

herself witch

The next issue of the Asahi Haikuist Network appears May 18. Readers are invited to send haiku about camping on a postcard to David McMurray at the International University of Kagoshima, Sakanoue 8-34-1, Kagoshima, 891-0197, Japan, or by e-mail to (mcmurray@fka.att.ne.jp).

* * *

David McMurray has been writing the Asahi Haikuist Network column since April 1995, first for the Asahi Evening News. He is also the editor of OUTREACH, a bi-monthly column featuring international teachers in The Language Teacher of the Japan Association for Language Teacher (JALT).

McMurray is professor of intercultural studies at The International University of Kagoshima where he lectures on international haiku. At the Graduate School he supervises students who research haiku. He is a correspondent school teacher of Haiku in English for the Asahi Culture Center in Tokyo.

McMurray judges haiku contests organized by the Ministry of Foreign Affairs, Asahi Culture Center, Matsuyama City, and Seinan Jo Gakuin University.

McMurray's books include: "Canada Project in Kyushu" Vol. 1 (2006) - Vol. 7 (2011), Pukeko: Fukuoka; "Haiku in English as a Japanese Language" (2003), Pukeko: Kitakyushu; and "Hospital Departmental Operations - A Guide for Trustees and Managers," Canadian Hospital Association: Ottawa, Canada.

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(Illustration by Mitsuaki Kojima)

(Illustration by Mitsuaki Kojima)

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